BEGIN:VCALENDAR VERSION:2.0 PRODID:-//150.162.2.10//NONSGML kigkonsult.se iCalcreator 2.26.9// CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Programa de Pós-Graduação em Inglês X-WR-CALDESC: X-FROM-URL:https://ppgi.posgrad.ufsc.br X-WR-TIMEZONE:America/Sao_Paulo BEGIN:VTIMEZONE TZID:America/Sao_Paulo X-LIC-LOCATION:America/Sao_Paulo BEGIN:STANDARD DTSTART:20190217T000000 TZOFFSETFROM:-0200 TZOFFSETTO:-0300 TZNAME:-03 END:STANDARD END:VTIMEZONE BEGIN:VEVENT UID:ai1ec-9570@ppgi.paginas.ufsc.br DTSTAMP:20240328T183012Z CATEGORIES;LANGUAGE=pt-BR:EVENTO CONTACT: DESCRIPTION:“Contemporary Beckett” explores aspects of research on the work of Samuel Beckett\, such as\, for example: the festivalisation of his wor k\; the impact of the directorial changes that he made to his playtexts fo r contemporary stage interpretations of his plays\; and the translation of his stage and radio plays in contemporary Brazil.\n📅 September 16th\n🕤 14 :00-15:00 Brazil/18:00-19:00 Ireland\n💻 Live on PPGI UFSC YouTube Channel \n*This event offers a certificate of attendance. Information about certif icates will be given during the talk.\n\nNEI Digital Round Tables aim to d iscuss aspects of research conducted by members of NEI (Núcleo de Estudos Irlandeses of UFSC)\, in the field of Irish Studies\, at undergraduate\, M A\, PhD and postdoctoral level\, with scholars and artists from Ireland\, and from the Irish Studies global community.\nTrish McTighe is Lecturer in Drama at Queen’s University Belfast. Previously\, she lectured at the Uni versity of Birmingham and was an AHRC postdoctoral researcher on the Stagi ng Beckett Project at the University of Reading (2012-2015). Her book\, Th e Haptic Aesthetic in Samuel Beckett’s Drama\, was published with Palgrave in 2013\, and she co-edited (with David Tucker) the double volume Staging Beckett in Ireland and Northern Ireland and Staging Beckett in Great Brit ain (Bloomsbury-Methuen\, 2016). She has published in the journals Modern Drama\, Samuel Beckett Today/Aujourd’hui\, and Irish University Review. Sh e is theatre reviews editor for the Journal of Beckett Studies.\nJames Lit tle is a postdoctoral researcher at Charles University\, Prague\, and Masa ryk University\, Brno. Author of Samuel Beckett in Confinement: The Politi cs of Closed Space (Bloomsbury\, 2020)\, his recent work can be found in T ext and Performance Quarterly\, the Irish University Review and the Intern ational Journal of Performance Arts and Digital Media. His monograph The M aking of Samuel Beckett’s Not I / Pas moi\, That Time / Cette fois and Foo tfalls / Pas is forthcoming with Bloomsbury and University Press Antwerp ( 2021).\nLarissa Ceres Lagos is Lecturer in English and Literatures in Engl ish at the Languages Department at the Federal University of Ouro Preto. H er doctoral dissertation presents and discusses the translation and analys is of three radio plays written by Samuel Beckett (Embers\, Words and Musi c\, and Cascando). The dissertation also discusses the impact of radio and music/sounds in Beckett’s artistic project\, and explores the influence o f James Joyce in the life and aesthetic work of Samuel Beckett.\nBeatriz K opschitz Bastos is a member of the Postgraduate Programme in English at UF SC\; a founding member of NEI – the Núcleo de Estudos Irlandeses of UFSC\; and an executive member of IASIL – The International Association for the Study of Irish Literatures. Currently\, she is also a Visiting Fellow at t he Humanities Institute at University College Dublin\, with the project “P hysical Disability in Irish Theatre”. She supervises research projects at MA and PhD level in Irish Studies at PPGI/UFSC.\nAlinne Fernandes is Vice- Coordinator of the Postgraduate Programme in English at UFSC\; a member of the Post-graduate Programme in Translation Studies\; Vice-coordinator of NEI\; and the Coordinator of the Group of Research in Irish Studies at CNP q. She supervises research at MA and PhD level in the fields of Irish Stud ies\, Women’s Writings and Translation Studies at PPGI and PGET/UFSC. \n Organizers: Beatriz Kopschitz Bastos\, Alinne Fernandes and Maria Rita Via na. DTSTART;TZID=America/Sao_Paulo:20210916T140000 DTEND;TZID=America/Sao_Paulo:20210916T150000 SEQUENCE:0 SUMMARY:NEI Digital Round Table 06 URL:https://ppgi.posgrad.ufsc.br/arquivo/event/nei-digital-round-table-06 X-COST-TYPE:free X-ALT-DESC;FMTTYPE=text/html:\\n\\n
\\n“Contempor ary Beckett” explores aspects of research on the work of Samuel Becket t\, such as\, for example: the festivalisation of his work\; the impact of the directorial changes that he made to his playtexts for contemporary st age interpretations of his plays\; and the translation of his stage and ra dio plays in contemporary Brazil.
\n📅 September 16<
sup>th
\n🕤 14:00-15:00 Brazil/18:00-19:00 Ireland
\n💻 Live on PPGI UFSC YouTube Channel
*This event offers a certificate of attendance. Information about
certificates will be given during the talk.
\n<
/span>
\nNEI Digital Round Tables aim to discuss aspects of re
search conducted by members of NEI (Núcleo de Estudos Irlandeses of
UFSC)\, in the field of Irish Studies\, at undergraduate\, MA\, PhD and p
ostdoctoral level\, with scholars and artists from Ireland\, and from the
Irish Studies global community.
Trish McTighe is Lecturer i n Drama at Queen’s University Belfast. Previously\, she lectured at the Un iversity of Birmingham and was an AHRC postdoctoral researcher on the Stag ing Beckett Project at the University of Reading (2012-2015). Her book\, < i>The Haptic Aesthetic in Samuel Beckett’s Drama\, was published with Palgrave in 2013\, and she co-edited (with David Tucker) the double volume Staging Beckett in Ireland and Northern Ireland and Staging Bec kett in Great Britain (Bloomsbury-Methuen\, 2016). She has published i n the journals Modern Drama\, Samuel Beckett Today/Aujourd’hui i>\, and Irish University Review. She is theatre reviews editor for the Journal of Beckett Studies.
\nJames Little is a p ostdoctoral researcher at Charles University\, Prague\, and Masaryk Univer sity\, Brno. Author of Samuel Beckett in Confinement: The Po litics of Closed Space (Bloomsbury\, 2020)\, his recent work can b e found in Text and Performance Quarterly\, the Irish University Review and the International Journal of Performance Arts and Digit al Media. His monograph The Making of Samuel Beckett’s Not I / Pas moi\, That Time / Cette fois and Footfalls / Pas is forthcoming with Bloomsbury and University Press Antwerp (2021).
\nLarissa Ceres Lagos is Lecturer in English and Literatures in En glish at the Languages Department at the Federal University of Ouro Preto. Her doctoral dissertation presents and discusses the translation and anal ysis of three radio plays written by Samuel Beckett (Embers\, Wo rds and Music\, and Cascando). The dissertation also discusses the impact of radio and music/sounds in Beckett’s artistic project\, and e xplores the influence of James Joyce in the life and aesthetic work of Sam uel Beckett.
\nBeatriz Kopschitz Bastos is a member of the Po stgraduate Programme in English at UFSC\; a founding member of NEI – the < i>Núcleo de Estudos Irlandeses of UFSC\; and an executive member of IA SIL – The International Association for the Study of Irish Literatures. Cu rrently\, she is also a Visiting Fellow at the Humanities Institute at Uni versity College Dublin\, with the project “Physical Disability in Irish Th eatre”. She supervises research projects at MA and PhD level in Irish Stud ies at PPGI/UFSC.
\nAlinne Fernandes is Vice-Coordinator of t he Postgraduate Programme in English at UFSC\; a member of the Post-gradua te Programme in Translation Studies\; Vice-coordinator of NEI\; and the Co ordinator of the Group of Research in Irish Studies at CNPq. She supervise s research at MA and PhD level in the fields of Irish Studies\, Women’s Wr itings and Translation Studies at PPGI and PGET/UFSC.
\nOrganizers: Beatriz Kopschitz Bastos\, Alinne Fernandes and Maria Rit a Viana.
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