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CATEGORIES;LANGUAGE=pt-BR:EVENTO
CONTACT:
DESCRIPTION:NEI Digital Round Tables aim to discuss aspects of research con
 ducted by members of NEI (Núcleo de Estudos Irlandeses of UFSC)\, in the f
 ield of Irish Studies\, at undergraduate\, MA\, PhD and postdoctoral level
 \, with scholars and artists from Ireland\, and the Irish Studies global c
 ommunity. “Shakespeare in Brazil and Ireland: Cultural and Political Persp
 ectives” proposes a discussion on aspects related to performances of Shake
 speare’s plays in both countries\, more specifically in relation to the ap
 proach to pressing contextual issues and thematic elements of the plays.\n
  March 12th\n 2pm/5pm \n PPGI YouTube Channel\nOrganisers: Janaina Mirian 
 Rosa and Beatriz Kopschitz Bastos\nModeration: Janaina Mirian Rosa\nAline 
 M. Sanfelici is a tenured professor of English at Universidade Tecnológica
  Federal do Paraná in Curitiba\, Brazil. She holds a PhD and an MA in Engl
 ish language and literature from Universidade Federal de Santa Catarina\, 
 Brazil\, and she was a visiting doctoral researcher at University of Briti
 sh Columbia\, Canada\, in 2009-2010. Her current work addresses issues of 
 Shakespeare in performance\, literary studies\, the teaching of English la
 nguage and literature\, and literature and other arts. Aline has published
  in the MIT Global Shakespeares Platform\, in the Shakespearean Internatio
 nal Yearbook\, as well as in other publications devoted to the Bard within
  Brazil and internationally. Her most recent publications have addressed i
 ssues related to Shakespearean text and performance during the COVID-19 pa
 ndemic\, as well as English language and literature teacher education duri
 ng emergency remote learning. She is a member of the theater research grou
 p of the Brazilian National Association of Language and Literature Researc
 h (ANPOLL\, Brazil).\nEmer McHugh is a Marie Skłowdowska-Curie Research Fe
 llow at Queen’s University Belfast\, working on the project ‘Shakespeare a
 nd the Irish Actor’. She specialises in early modern performance studies\;
  Shakespeare and Ireland\; theatre and celebrity\; the histories of actors
 \, acting\, and acting practices\; gender and sexuality studies\; and cont
 emporary Irish and British performance. She is the author of the forthcomi
 ng Irish Shakespeares: Gender\, Sexuality\, and Performance in the Twenty-
 First Century (Routledge). Her research has been published or is forthcomi
 ng in Shakespeare Bulletin (2022/2024)\, The Taming of the Shrew: The Stat
 e of Play (2021)\, Borrowers and Lenders (2023)\, Shakespeare/Play (2024)\
 , and Transformative Works and Cultures (2024).\nPaulo da Silva Gregório i
 s a Lecturer in English Literature at Universidade Estadual do Ceará (Braz
 il). He completed his PhD in Shakespeare Studies at the University of Birm
 ingham in 2017 with a thesis on the influence of Samuel Beckett on angloph
 one productions and adaptations of Shakespeare’s plays. Dr da Silva Gregór
 io is a member of the British Shakespeare Association and Associação Brasi
 leira de Literatura Comparada. His current research interests lie mainly i
 n the fields of Shakespearean Performance and Adaptation. His recent publi
 cations include: “The stage-within-the-screen: Peter Brook’s film adaptati
 on of King Lear” (arcadia\, 2023)\; and “Shakespeare transmitido: repensan
 do o significado da performance ao vivo” (Sala Preta\, 2023).\nJanaina Mir
 ian Rosa is a Postdoctoral Research Fellow at the Programa de Pós-Graduaçã
 o em Inglês (PPGI) at Universidade Federal de Santa Catarina (UFSC)\, carr
 ying out a research funded by Conselho Nacional de Desenvolvimento Científ
 ico (CNPq)\, under the supervision of Professor José Roberto O’Shea. Her r
 esearch focuses on the comparison of political performances of Macbeth in 
 Brazil and in Ireland. She holds a Doctoral Degree from PPGI/UFSC and was 
 a visiting researcher at the Shakespeare Institute – University of Birming
 ham\, and at the University of Galway. She is also a staff member of PPGI/
 UFSC. Dr Rosa has co-edited the 2023 issue of Ilha do Desterro journal ent
 itled “Resignifying Critical Approaches in Literature\, Film\, and Cultura
 l Studies”.\nBeatriz Kopschitz Bastos is a member of the Post-graduate Pro
 gramme in English and Vice-Chair of NEI – Núcleo de Estudos Irlandeses – a
 t UFSC. She is currently an executive member of IASIL – the International 
 Association for the Study of Irish Literatures – and a member of the Ulyss
 es Council at MoLI – The Museum of Literature Ireland\, Dublin. In 2023\, 
 she was a joint curator of the exhibition The Irish in Brazil\, at the Bra
 zilian National Library\, and a joint recipient of Ireland’s Presidential 
 Distinguished Service Award. She supervises research projects at MA and Ph
 D levels in Irish Studies at PPGI/UFSC.
DTSTART;TZID=America/Sao_Paulo:20240312T140000
DTEND;TZID=America/Sao_Paulo:20240312T163000
SEQUENCE:0
SUMMARY:NEI Digital Round Table 9
URL:https://ppgi.posgrad.ufsc.br/arquivo/event/nei-2024
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X-ALT-DESC;FMTTYPE=text/html:<!DOCTYPE HTML PUBLIC '-//W3C//DTD HTML 3.2//E
 N'>\\n<HTML>\\n<HEAD>\\n<TITLE></TITLE>\\n</HEAD>\\n<BODY><p style='text-a
 lign: justify'><strong>NEI Digital Round Tables</strong> aim to discuss as
 pects of research conducted by members of NEI (Núcleo de Estudos Irlandese
 s of UFSC)\, in the field of Irish Studies\, at undergraduate\, MA\, PhD a
 nd postdoctoral level\, with scholars and artists from Ireland\, and the I
 rish Studies global community. <strong>“Shakespeare in Brazil and Ireland:
  Cultural and Political Perspectives”</strong> proposes a discussion on as
 pects related to performances of Shakespeare’s plays in both countries\, m
 ore specifically in relation to the approach to pressing contextual issues
  and thematic elements of the plays.<!--more--></p>\n<p style='text-align:
  justify'><a href='https://arquivos.ufsc.br/f/9d359f25ff2d44fa964d/'><img 
 class=' alignright' src='https://arquivos.ufsc.br/f/9d359f25ff2d44fa964d/?
 dl=1' width='286' height='405' /></a><img class='an1' src='https://fonts.g
 static.com/s/e/notoemoji/15.0/1f4c5/32.png' alt='📅' width='24' height='24'
  /> March 12th<br />\n<img class='an1' src='https://fonts.gstatic.com/s/e/
 notoemoji/15.0/1f564/32.png' alt='🕤' width='24' height='24' /> 2pm<img cla
 ss='an1' src='https://fonts.gstatic.com/s/e/notoemoji/15.0/1f1e7_1f1f7/32.
 png' alt='🇧🇷' width='20' height='20' />/5pm <img class='an1' src='https://
 fonts.gstatic.com/s/e/notoemoji/15.0/1f1ee_1f1ea/32.png' alt='🇮🇪' width='1
 8' height='18' /><br />\n<img class='an1' src='https://fonts.gstatic.com/s
 /e/notoemoji/15.0/1f4bb/32.png' alt='💻' width='24' height='24' /> <a href=
 'https://www.youtube.com/watch?v=-VeyfYc5zps'>PPGI YouTube Channel</a></p>
 \n<p style='text-align: justify'><strong>Organisers:</strong> Janaina Miri
 an Rosa and Beatriz Kopschitz Bastos<br />\n<strong>Moderation:</strong> J
 anaina Mirian Rosa</p>\n<p style='text-align: justify'><strong>Aline M. Sa
 nfelici</strong> is a tenured professor of English at Universidade Tecnoló
 gica Federal do Paraná in Curitiba\, Brazil. She holds a PhD and an MA in 
 English language and literature from Universidade Federal de Santa Catarin
 a\, Brazil\, and she was a visiting doctoral researcher at University of B
 ritish Columbia\, Canada\, in 2009-2010. Her current work addresses issues
  of Shakespeare in performance\, literary studies\, the teaching of Englis
 h language and literature\, and literature and other arts. Aline has publi
 shed in the MIT Global Shakespeares Platform\, in the Shakespearean Intern
 ational Yearbook\, as well as in other publications devoted to the Bard wi
 thin Brazil and internationally. Her most recent publications have address
 ed issues related to Shakespearean text and performance during the COVID-1
 9 pandemic\, as well as English language and literature teacher education 
 during emergency remote learning. She is a member of the theater research 
 group of the Brazilian National Association of Language and Literature Res
 earch (ANPOLL\, Brazil).</p>\n<p style='text-align: justify'><strong>Emer 
 McHugh</strong> is a Marie Skłowdowska-Curie Research Fellow at Queen’s Un
 iversity Belfast\, working on the project ‘Shakespeare and the Irish Actor
 ’. She specialises in early modern performance studies\; Shakespeare and I
 reland\; theatre and celebrity\; the histories of actors\, acting\, and ac
 ting practices\; gender and sexuality studies\; and contemporary Irish and
  British performance. She is the author of the forthcoming Irish Shakespea
 res: Gender\, Sexuality\, and Performance in the Twenty-First Century (Rou
 tledge). Her research has been published or is forthcoming in Shakespeare 
 Bulletin (2022/2024)\, The Taming of the Shrew: The State of Play (2021)\,
  Borrowers and Lenders (2023)\, Shakespeare/Play (2024)\, and Transformati
 ve Works and Cultures (2024).</p>\n<p style='text-align: justify'><strong>
 Paulo da Silva Gregório</strong> is a Lecturer in English Literature at Un
 iversidade Estadual do Ceará (Brazil). He completed his PhD in Shakespeare
  Studies at the University of Birmingham in 2017 with a thesis on the infl
 uence of Samuel Beckett on anglophone productions and adaptations of Shake
 speare’s plays. Dr da Silva Gregório is a member of the British Shakespear
 e Association and Associação Brasileira de Literatura Comparada. His curre
 nt research interests lie mainly in the fields of Shakespearean Performanc
 e and Adaptation. His recent publications include: “The stage-within-the-s
 creen: Peter Brook’s film adaptation of King Lear” (arcadia\, 2023)\; and 
 “Shakespeare transmitido: repensando o significado da performance ao vivo”
  (Sala Preta\, 2023).</p>\n<p style='text-align: justify'><strong>Janaina 
 Mirian Rosa</strong> is a Postdoctoral Research Fellow at the Programa de 
 Pós-Graduação em Inglês (PPGI) at Universidade Federal de Santa Catarina (
 UFSC)\, carrying out a research funded by Conselho Nacional de Desenvolvim
 ento Científico (CNPq)\, under the supervision of Professor José Roberto O
 ’Shea. Her research focuses on the comparison of political performances of
  Macbeth in Brazil and in Ireland. She holds a Doctoral Degree from PPGI/U
 FSC and was a visiting researcher at the Shakespeare Institute – Universit
 y of Birmingham\, and at the University of Galway. She is also a staff mem
 ber of PPGI/UFSC. Dr Rosa has co-edited the 2023 issue of Ilha do Desterro
  journal entitled “Resignifying Critical Approaches in Literature\, Film\,
  and Cultural Studies”.</p>\n<p style='text-align: justify'><strong>Beatri
 z Kopschitz Bastos</strong> is a member of the Post-graduate Programme in 
 English and Vice-Chair of NEI – Núcleo de Estudos Irlandeses – at UFSC. Sh
 e is currently an executive member of IASIL – the International Associatio
 n for the Study of Irish Literatures – and a member of the Ulysses Council
  at MoLI – The Museum of Literature Ireland\, Dublin. In 2023\, she was a 
 joint curator of the exhibition The Irish in Brazil\, at the Brazilian Nat
 ional Library\, and a joint recipient of Ireland’s Presidential Distinguis
 hed Service Award. She supervises research projects at MA and PhD levels i
 n Irish Studies at PPGI/UFSC.</p>\n<p style='text-align: justify\;padding-
 left: 180px'><iframe src='//www.youtube.com/embed/-VeyfYc5zps' width='560'
  height='314' allowfullscreen='allowfullscreen'></iframe></p></BODY></HTML
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