BEGIN:VCALENDAR VERSION:2.0 PRODID:-//150.162.2.10//NONSGML kigkonsult.se iCalcreator 2.26.9// CALSCALE:GREGORIAN METHOD:PUBLISH X-WR-CALNAME:Programa de Pós-Graduação em Inglês X-WR-CALDESC: X-FROM-URL:https://ppgi.posgrad.ufsc.br X-WR-TIMEZONE:America/Sao_Paulo BEGIN:VTIMEZONE TZID:America/Sao_Paulo X-LIC-LOCATION:America/Sao_Paulo BEGIN:STANDARD DTSTART:20190217T000000 TZOFFSETFROM:-0200 TZOFFSETTO:-0300 TZNAME:-03 END:STANDARD END:VTIMEZONE BEGIN:VEVENT UID:ai1ec-9200@ppgi.paginas.ufsc.br DTSTAMP:20240328T111744Z CATEGORIES;LANGUAGE=pt-BR:EVENTO CONTACT: DESCRIPTION:“Creative Writing: Towards a Pedagogy” reflects on aspects of b oth theory-driven and practice-driven creative writing teaching. This disc ussion of its pedagogy focuses on the role of creative writing\, and that of the creative writer\, in the academy and beyond\, as Paul Perry puts it in the introduction to Beyond the Workshop: Creative Writing\, Theory and Practice (Kingston UP\, 2012).\n📅 April 28th\n🕤 14:00-15:30 Brazil/18:00- 19:30 Ireland\n💻 Live on PPGI UFSC YouTube Channel\n*This event offers a c ertificate of attendance. Information about certificates will be given dur ing the talk.\nNEI Digital Round Tables aim to discuss aspects of research conducted by members of NEI (the Núcleo de Estudos Irlandeses of UFSC)\, in the field of Irish Studies\, at undergraduate\, MA\, PhD and postdoctor al level\, with scholars and artists from Ireland.\nPaul Perry is the awar d-winning and critically acclaimed author of several books of poetry and p rose. A winner of the Hennessy Prize for Irish Literature\, he is a poet\, novelist\, and screenwriter\, and Associate Professor of Creative Writing at University College Dublin where he directs the Creative Writing Progra mme. A former Michener Fellow at the University of Miami\, Cambor Fellow a t the University of Houston\, and Vice Chancellor Research Scholar at the University of Ulster\, Paul has won numerous awards for his writing includ ing the Hennessy Award for Literature\, the Listowel Prize for Poetry\, an d The Patrick and Katherine Kavanagh Fellowship. His poetry has appeared i n: The Best American Poetry\, and The Best Irish Poetry\, Poetry Ireland R eview\, Poetry\, TLS\, Granta\, and The Irish Times. He edited The Best Ir ish Poetry\, 2009 (Munster Literature Centre)\, and Beyond the Workshop\, Creative Writing Theory and Pedagogy\, (Kingston University Press\, 2012.) As Karen Perry\, he has co-authored\, four best-selling novels\, publishe d by Penguin Random House\, including Girl Unknown. His 6 books of poetry include Gunpowder Valentine: New and Selected Poems. And in 2019 his first children’s novel The Cyclops with Two Eyes was published. Paul also teach es on the MA\, & MFA programmes in Creative Writing at UCD\, and supervise s at PhD level. He is a member of the RIA Study of Languages\, Literature\ , Culture and Communication Committee. In 2021\, his novel The Garden has been published by New Island Press\, and has been described by Laureate fo r Irish Fiction as an ‘exceptional novel.’\nMarina Carr’s plays to date ar e Ullaloo\, 1989\; Low in the Dark\, 1991\; The Mai\, 1994\; Portia Coughl an\, 1996\; By the Bog of Cats…\, 1998\; On Raftery’s Hill\, 1999\; Ariel\ , 2000\; Woman and Scarecrow\, 2004\; The Cordelia Dream\, 2006\; Marble\, 2007\; 16 Possible Glimpses\, 2009\; Hecuba\, 2015. Adaptations are Anna Karenina (adapted from Tolstoy’s novel)\, 2016\, and Blood Wedding (a new version of Lorca’s play)\, 2019. Plays for children are Meat and Salt\, 20 03\, and The Giant Blue Hand\, 2007. Future projects include the premiere of Marina’s new play The Boy at the Abbey Theatre and a new adaptation of Virginia Woolf’s To the Lighthouse\, produced by Hatch Theatre Company and The Everyman in association with Pavilion Theatre and Cork Midsummer Fest ival.\nHer work has been produced by The Abbey Theatre\, The Gate\, Druid\ , Landmark\, The Royal Court\, Wyndhams Theatre\, The RSC\, The Tricycle\, The McCarter Theatre\, San Diego Rep\, Milwaukee Rep.\nShe is translated into many languages and produced around the world.\nShe also wrote a new\, contemporary translation of Rigoletto for Opera Theatre Company\, which t oured Ireland in 2015\, and wrote an original oratorio Mary Gordon as part of a commission for Wicklow County Council that brought together choirs f rom throughout County Wicklow with solo singers and the RTÉ National Symph ony Orchestra in November 2016.\nPrizes include Windham-Campbell Prize 201 7 for her body of work\, The Susan Smith Blackburn Prize\, The American/Ir eland Fund Award\, The E.M. Forster Award from the American Academy of Art s and Letters\, The Macaulay Fellowship\, The Puterbaugh Fellowship. She i s a member of Aosdana.\nShe has taught at Trinity\, at Villanova\, and at Princeton. Currently she lectures in the English Department at Dublin City University.\nShe is published by the Gallery Press\, Nick Hern Books and Faber & Faber.\nCanadian poet Kathleen McCracken is the author of eight co llections of poetry including Blue Light\, Bay and College (Penumbra Press \, 1991)\, which was shortlisted for the Governor General’s Award for Poet ry in 1992\, and a bilingual English/Portuguese edition entitled Double Se lf Portrait with Mirror: New and Selected Poems (Editora Ex Machina\, 2014 )\, with translations by José Roberto O’Shea. She is the recipient of the University of Toronto Review’s Editor’s Choice Award for Poetry\, the Ann e Szumigalski Editor’s Prize\, the Glebe House Harmony Community Trust Poe try Award and the 2017 Poetry Ireland/Tyrone Guthrie Residency Bursary. Sh e was a finalist for the WB Yeats Society of New York Poetry Competition\, the Montreal International Prize for Poetry\, The Walrus Poetry Prize\, t he 2018 Grist Pro Forma Poetry Prize and the 2020 CBC Poetry Prize. In 201 9\, she won the Seamus Heaney Award for New Writing. She has held several Ontario Arts Council awards and an Individual Artist Award from the Northe rn Ireland Arts Council. Her poems have appeared in The Malahat Review\, P oetry Canada Review\, Exile Quarterly\, Poetry Ireland\, The Shop\, Reviva l\, Abridged\, New Orleans Review and Grain\, and she has given readings i n Canada\, Ireland\, Portugal\, Brazil\, the United Kingdom and the United States. Kathleen is currently Lecturer in Creative Writing and Contempora ry Literature at Ulster University in Northern Ireland.\nGeorge Alexandre Ayres de Menezes Mousinho is a professor at the Departamento de Língua e L iteratura Estrangeiras at Universidade Federal de Santa Catarina. His curr ent research involves the study of eschatological and post-apocalyptic lit erary and audiovisual narratives in science fiction. Academic interests in clude film theory\, science fiction\, adaptation studies\, Gothic fiction\ , cultural studies\, and creative writing\, among other fields.\nAlinne Fe rnandes is Vice-Coordinator of the Post-graduate Programme in English at U FSC\; a permanent member of the Post-graduate Programme in Translation Stu dies\; Vice-coordinator of NEI – the Núcleo de Estudos Irlandeses of UFSC\ ; and the Coordinator of the Group of Research in Irish Studies at CNPq. S he supervises research at MA and PhD level in the fields of Irish Studies\ , Women’s Writings and Translation Studies at PPGI and PGET/UFSC. \nBeatr iz Kopschitz Bastos is a permanent member of the Post-graduate Programme i n English at UFSC\, a founding member of the Núcleo de Estudos Irlandeses of UFSC\, and an executive member of IASIL – The International Association for the Study of Irish Literatures. She supervises research projects at M A and PhD level in Irish Studies at PPGI/UFSC\, and has published widely i n this field.\nOrganizers: Beatriz Kopschitz Bastos\, Alinne Fernandes\, M aria Rita Viana\, Eloísa Dall’Bello. DTSTART;TZID=America/Sao_Paulo:20210428T140000 DTEND;TZID=America/Sao_Paulo:20210428T153000 SEQUENCE:0 SUMMARY:NEI Digital Round Table 4 URL:https://ppgi.posgrad.ufsc.br/arquivo/event/nei-digital-round-table-4 X-WP-IMAGES-URL:thumbnail\;https://ppgi.posgrad.ufsc.br/files/2021/04/NEI-D igital-Round-Table-4-Cartaz-212x300.png\;199\;282\,medium\;https://ppgi.po sgrad.ufsc.br/files/2021/04/NEI-Digital-Round-Table-4-Cartaz-212x300.png\; 199\;282\,large\;https://ppgi.posgrad.ufsc.br/files/2021/04/NEI-Digital-Ro und-Table-4-Cartaz-212x300.png\;199\;282\,full\;https://ppgi.posgrad.ufsc. br/files/2021/04/NEI-Digital-Round-Table-4-Cartaz-212x300.png\;199\;282 X-ALT-DESC;FMTTYPE=text/html:\\n\\n
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\n“Creative Writing: Towards a Pedagogy” refle
cts on aspects of both theory-driven and practice-driven creative writing
teaching. This discussion of its pedagogy focuses on the role of creative
writing\, and that of the creative writer\, in the academy and beyond<
/em>\, as Paul Perry puts it in the introduction to Beyond the Worksho
p: Creative Writing\, Theory and Practice (Kingston UP\, 2012).
📅 April 28th
\n<
/sup>🕤 14:00-15:30 Brazil/18:00-19:30 Ireland
\n
*This event offers a certificate of attendance. Information about certificates will be given d uring the talk.
\nNEI Digital Ro und Tables aim to discuss aspects of research conducted by member s of NEI (the Núcleo de Estudos Irlandeses of UFSC)\, in the fiel d of Irish Studies\, at undergraduate\, MA\, PhD and postdoctoral level\, with scholars and artists from Ireland.
\nPaul Perry is the award-winning and critically acclaime d author of several books of poetry and prose. A winner of the Hennessy Pr ize for Irish Literature\, he is a poet\, novelist\, and screenwriter\, an d Associate Professor of Creative Writing at University College Dublin whe re he directs the Creative Writing Programme. A former Michener Fellow at the University of Miami\, Cambor Fellow at the University of Houston\, and Vice Chancellor Research Scholar at the University of Ulster\, Paul has w on numerous awards for his writing including the Hennessy Award for Litera ture\, the Listowel Prize for Poetry\, and The Patrick and Katherine Kavan agh Fellowship. His poetry has appeared in: The Best American Poetry em>\, and The Best Irish Poetry\, Poetry Ireland Review\ , Poetry\, TLS\, Granta\, and The Irish Tim es. He edited The Best Irish Poetry\, 2009 (Munster Literatu re Centre)\, and Beyond the Workshop\, Creative Writing Theory and Ped agogy\, (Kingston University Press\, 2012.) As Karen Perry\, he has c o-authored\, four best-selling novels\, published by Penguin Random House\ , including Girl Unknown. His 6 books of poetry include Gunpo wder Valentine: New and Selected Poems. And in 2019 his first childre n’s novel The Cyclops with Two Eyes was published. Paul also teac hes on the MA\, & MFA programmes in Creative Writing at UCD\, and supervis es at PhD level. He is a member of the RIA Study of Languages\, Literature \, Culture and Communication Committee. In 2021\, his novel The Garden has been published by New Island Press\, and has been described by L aureate for Irish Fiction as an ‘exceptional novel.’
\nMarina Carr’s plays to date are Ullalo o\, 1989\; Low in the Dark\, 1991\; The Mai\, 1994\ ; Portia Coughlan\, 1996\; By the Bog of Cats…\, 1998\; On Raftery’s Hill\, 1999\; Ariel\, 2000\; Woman and Scarecrow\, 2004\; The Cordelia Dream\, 2006\; Marble\, 2007\; 16 Possible Glimpses\, 2009\; Hecuba\, 2015. Adaptations are Anna Karenina (adapted from Tolstoy’s novel)\, 2 016\, and Blood Wedding (a new version of Lorca’s play)\, 2019. P lays for children are Meat and Salt\, 2003\, and The Giant Bl ue Hand\, 2007. Future projects include the premiere of Marina’s new play The Boy at the Abbey Theatre and a new adaptation of Virgini a Woolf’s To the Lighthouse\, produced by Hatch Theatre Company a nd The Everyman in association with Pavilion Theatre and Cork Midsummer Fe stival.
\nHer work has been produced by The Abbey Theatre\, The Gate\, Druid\, Landmark\, The Royal Court\, Wyndha ms Theatre\, The RSC\, The Tricycle\, The McCarter Theatre\, San Diego Rep \, Milwaukee Rep.
\nShe is translated into many languages and produc ed around the world.
\nShe also wrote a new\, contemporary translation of Rigoletto for Opera Theatre Com pany\, which toured Ireland in 2015\, and wrote an original oratorio M ary Gordon as part of a commission for Wicklow County Council that br ought together choirs from throughout County Wicklow with solo singers and the RTÉ National Symphony Orchestra in November 2016.
\nPrizes include Windham-Campbell Prize 2017 for her body o f work\, The Susan Smith Blackburn Prize\, The American/Ireland Fund Award \, The E.M. Forster Award from the American Academy of Arts and Letters\, The Macaulay Fellowship\, The Puterbaugh Fellowship. She is a member of Ao sdana.
\nShe has taught at Trinity\, at Villanova\, and at Princeton . Currently she lectures in the English Department at Dublin City Universi ty.
\nShe is published by the Gallery Press\, Nick Hern Books and Fa ber & Faber.
\nCanadian poet Kat
hleen McCracken is the author of eight collectio
ns of poetry including Blue Light\, Bay and College (Penumbra Pre
ss\, 1991)\, which was shortlisted for the Governor General’s Award for Po
etry in 1992\, and a bilingual English/Portuguese edition entitled Dou
ble Self Portrait with Mirror: New and Selected Poems (Editora Ex Mac
hina\, 2014)\, with translations by José Roberto O’Shea. She is the recip
ient of the University of Toronto Review’s Editor’s Choice Award
for Poetry\, the Anne Szumigalski Editor’s Prize\, the Glebe House Harmony
Community Trust Poetry Award and the 2017 Poetry Ireland/Tyrone Guthrie R
esidency Bursary. She was a finalist for the WB Yeats Society of New York
Poetry Competition\, the Montreal International Prize for Poetry\, The Wal
rus Poetry Prize\, the 2018 Grist Pro Forma Poetry Prize and the 2020 CBC
Poetry Prize. In 2019\, she won the Seamus Heaney Award for New Writing. S
he has held several Ontario Arts Council awards and an Individual Artist A
ward from the Northern Ireland Arts Council. Her poems have appeared in
George Ale xandre Ayres de Menezes Mousinho is a professor at the Departamen to de Língua e Literatura Estrangeiras at Universidade Federal de Santa Ca tarina. His current research involves the study of eschatological and post -apocalyptic literary and audiovisual narratives in science fiction. Acade mic interests include film theory\, science fiction\, adaptation studies\, Gothic fiction\, cultural studies\, and creative writing\, among other fi elds.
\nAlinne Fernandes is Vice-Coordinator of the Post-graduate Programme in English at UFSC\;
a permanent member of the Post-graduate Programme in Translation Studies\;
Vice-coordinator of NEI – the Núcleo de Estudos Irlandeses of UF
SC\; and the Coordinator of the Group of Research in Irish Studies at CNPq
. She supervises research at MA and PhD level in the fields of Irish Studi
es\, Women’s Writings and Translation Studies at PPGI and PGET/UFSC.
Beatriz Kopschit z Bastos is a permanent member of the Post-graduate Programme in English at UFSC\, a founding member of the Núcleo de Estudos Irlandese s of UFSC\, and an executive member of IASIL – The International Asso ciation for the Study of Irish Literatures. She supervises research projec ts at MA and PhD level in Irish Studies at PPGI/UFSC\, and has published w idely in this field.
\nOrganizers: Beatriz Kopschit z Bastos\, Alinne Fernandes\, Maria Rita Viana\, Eloísa Dall’Bello.
END:VEVENT END:VCALENDAR